A couple of months ago I wrote that lots of home projects were calling to me, but I couldn't get to them because of my obligations to the nonprofit group that rescued and now cares for Cafesjian's Carousel in St. Paul's Como Park. Peter and I founded the group in 1988 and have led the work since then. There was no other group exactly like it, before or since. We were hugely successful in saving the carousel, restoring it, housing it, operating it with volunteers, and engaging one individual mega-donor and hundreds of others. It has been a major part of our identities, individually and as a couple.
We had begun to plan for others to succeed us, and we had cleared much of the paperwork and memorabilia that we'd amassed at home. Most important papers were already filed at the carousel office, but we moved anything we thought necessary and tossed the rest. It felt good, and it began to change our thinking.
We had initiated a succession plan, but we'd begun to fret that it might not be working, that people we'd identified could not or would not step up. We were feeling trapped--how could we leave if there were no clear successors for our roles, Peter as president and me as board secretary and marketing-communications director? And one day it came to us:
We had done all we could, given everything we could, for nearly 30 years. It was up to others to figure out next steps. It's not like this was a surprise; we'd been saying for two years that we were looking to retire. So in June we sent a letter to the board of directors and other key partners of the carousel to say that our current term of office, which ends in February 2017, is our last. We said we hoped candidates for our positions would surface by early October, and if not the board would need to find new people or new solutions. We said we'd be around to provide advice or information to anyone who asked for it. (We promised each other to keep our mouths shut if nobody asks!)
Whew. A huge burden lifted off our shoulders, simply because we realized we can't and DON'T HAVE TO solve every problem. I think that realization was helped along by clearing things out: reading old papers that reminded us of 29 years of hard work, taking pleasure in what we've achieved, knowing we no longer have that kind of energy and no longer want either the responsibility or the recognition. In short, we were processing our departure.
I'm still working on a couple of carousel projects, and we will have things to deal with as we move forward. But we've made our decision and the date is set. It feels right.
And now that I'm clearing this big responsibility from my agenda? There's already a new activity taking its place. More later, I promise.
P.S. You can find more about the carousel here.
Showing posts with label carousel. Show all posts
Showing posts with label carousel. Show all posts
Sunday, July 3, 2016
Saturday, March 26, 2016
Moving forward, or trying to...
Our house is full of the "stuff" of our lives. We are ready, and in fact we have begun, to divest ourselves of this stuff--clothing we no longer wear, papers we no longer need, possessions that are cluttering up the place so there's little space for new endeavors. But it's slow going.
Inside my head, this clearing is a rite of passage, part of my continuing transition from working (and heavily volunteering) to retirement, or the next phase of retirement. Last week, for example, I finally tossed the last of the work-related files I'd been saving. I suppose I always knew I wouldn't need them, but they represented so much thought and effort that it was impossible to walk away without at least a few. Now retired five years, I was happy to march those papers out to the recycling barrel. Similarly, I had stockpiled a resume and work samples in case I wanted, or needed, to freelance. Opportunities were out there, but I decided almost immediately that I was no longer interested. Tossing the stack of samples--five years later--made it official.
The thing about sorting papers is that it's almost impossible to do without reading through them. So we are reminded of triumphs and struggles, of people who helped us and people who didn't, of projects we intended to undertake once we retired. Having walked down memory lane, as contained in my desk and file cabinet, I've learned two main lessons.
I have very little interest in keeping records of my past life, be they related to work, finances, health, whatever. Of course I keep what I might need, but my definition of "need" is a lot stricter than it used to be.
I am ready to get on with my life, and one big commitment seems to be standing in the way. I have projects all over the place, in various stages of readiness, and they all require two things: space and time. I have sewing projects promised to the grandchildren; boxes of old photos to scan, color-correct, and share; a counted cross-stitch I started a dozen years ago; a new interest in knitting and crochet; a back porch to design; music playlists to organize; birds to discover; a blog to rejuvenate, and so much more. Plus a growing stock of items I plan to sell on eBay, some of which I've already photographed and written up.
All these projects are calling to me. But before I can respond I have to make space and time. And the element taking up the biggest share of my office space, energy, and time is my commitment to the carousel and the nonprofit organization that cares for it.
When I wrote last week's post about the graphic design project from hell, my frustration was only partly with the technical difficulty of the work. The project had gone on, episodically, for weeks. How-to books and sample pages and notes buried everything else on my desk. I became resentful. I began to rail against it. I wanted to walk away. I wanted to sew and knit and clean out closets, and get on with getting on, and let somebody else worry about promoting the carousel. And in fact, I will--but not today. Peter and I will both retire and our executive director, in the job for a year now, will take on or delegate work we have been doing. But there is much to be done before we retire, and in the meantime I really do enjoy working collaboratively with our staff person. For a while yet, I will do whatever it takes to get the project done.
In the past several days I have finally cleared the scrambled piles on my desk, arranging things in folders: red for carousel projects (e.g., display panels, Facebook page, new website) and yellow for personal ones (e.g., porch, taxes, eBay).
When the time does come to walk away from the carousel's management, I will be a little sad to leave behind what has been a consuming and highly rewarding family commitment. But I'll be ready for all the new projects in their newly organized spaces. In fact, having cleared a bit of space, I'm pretty sure I'll find some time for new projects as well as old ones.
Inside my head, this clearing is a rite of passage, part of my continuing transition from working (and heavily volunteering) to retirement, or the next phase of retirement. Last week, for example, I finally tossed the last of the work-related files I'd been saving. I suppose I always knew I wouldn't need them, but they represented so much thought and effort that it was impossible to walk away without at least a few. Now retired five years, I was happy to march those papers out to the recycling barrel. Similarly, I had stockpiled a resume and work samples in case I wanted, or needed, to freelance. Opportunities were out there, but I decided almost immediately that I was no longer interested. Tossing the stack of samples--five years later--made it official.
The thing about sorting papers is that it's almost impossible to do without reading through them. So we are reminded of triumphs and struggles, of people who helped us and people who didn't, of projects we intended to undertake once we retired. Having walked down memory lane, as contained in my desk and file cabinet, I've learned two main lessons.
I have very little interest in keeping records of my past life, be they related to work, finances, health, whatever. Of course I keep what I might need, but my definition of "need" is a lot stricter than it used to be.
I am ready to get on with my life, and one big commitment seems to be standing in the way. I have projects all over the place, in various stages of readiness, and they all require two things: space and time. I have sewing projects promised to the grandchildren; boxes of old photos to scan, color-correct, and share; a counted cross-stitch I started a dozen years ago; a new interest in knitting and crochet; a back porch to design; music playlists to organize; birds to discover; a blog to rejuvenate, and so much more. Plus a growing stock of items I plan to sell on eBay, some of which I've already photographed and written up.
All these projects are calling to me. But before I can respond I have to make space and time. And the element taking up the biggest share of my office space, energy, and time is my commitment to the carousel and the nonprofit organization that cares for it.
When I wrote last week's post about the graphic design project from hell, my frustration was only partly with the technical difficulty of the work. The project had gone on, episodically, for weeks. How-to books and sample pages and notes buried everything else on my desk. I became resentful. I began to rail against it. I wanted to walk away. I wanted to sew and knit and clean out closets, and get on with getting on, and let somebody else worry about promoting the carousel. And in fact, I will--but not today. Peter and I will both retire and our executive director, in the job for a year now, will take on or delegate work we have been doing. But there is much to be done before we retire, and in the meantime I really do enjoy working collaboratively with our staff person. For a while yet, I will do whatever it takes to get the project done.
In the past several days I have finally cleared the scrambled piles on my desk, arranging things in folders: red for carousel projects (e.g., display panels, Facebook page, new website) and yellow for personal ones (e.g., porch, taxes, eBay).
When the time does come to walk away from the carousel's management, I will be a little sad to leave behind what has been a consuming and highly rewarding family commitment. But I'll be ready for all the new projects in their newly organized spaces. In fact, having cleared a bit of space, I'm pretty sure I'll find some time for new projects as well as old ones.
| Spring flowers above from Como Park conservatory 2013 |
Saturday, March 12, 2016
There must be 50 ways....
"There must be 50 ways to leave your lover." Paul Simon said so in a song I loved, though I rarely had occasion to use the advice.
Now the song is stuck in my head. No, I'm not leaving anybody. I'm just trying to finish a project for the carousel* and what seemed relatively easy and fun has turned into The Really Hard and Frustrating Project From Hell. Or maybe The Project That I Can't Figure Out And It's Driving Me Crazy.
We are creating new display panels for the carousel pavilion telling some of its story--its history and restoration, how volunteers can help, etc. When we opened the carousel in Como Park 16 years ago, Peter and I created six panels using lots of newspaper clippings (now yellow) and photos (now faded). Our new executive director and I decided to make new printed panels with sepia-toned images very light in the background, and with type over the images. Everything was going well until I tried to screen the images to be really light.
If there are 50 ways to leave your lover, there must be 250 ways to take a color photo, turn it into a black-and-white in Photoshop, add a sepia tint, and screen it way back to a ghost image. I've tried them all. I spent days experimenting to get a result I liked...and the file was so huge it crashed my computer WITHOUT being saved. I have spent long, frustrating days getting back to that place while keeping the file size manageable. As of today, after trying about 50 more ways, I think I've got it. Which is good, because I am very ready to move on to other things.
There's a hitch, though. When I print a version on my ink-jet printer, I like the results. But how will it look when a commercial printer uses my files to create a panel 34 by 40 inches? I'm keeping my fingers crossed. If all goes well, I get to do this five more times for the other panels. Let's hope I can learn from my mistakes!
* In case you don't know, my husband and I founded a nonprofit organization in 1988, saved the old Minnesota State Fair Carousel from being auctioned to collectors, and have operated the carousel with volunteers ever since. A year ago we hired an executive director so we can cut back on our own volunteer involvement. Clearly, we haven't walked away just yet.
Now the song is stuck in my head. No, I'm not leaving anybody. I'm just trying to finish a project for the carousel* and what seemed relatively easy and fun has turned into The Really Hard and Frustrating Project From Hell. Or maybe The Project That I Can't Figure Out And It's Driving Me Crazy.
We are creating new display panels for the carousel pavilion telling some of its story--its history and restoration, how volunteers can help, etc. When we opened the carousel in Como Park 16 years ago, Peter and I created six panels using lots of newspaper clippings (now yellow) and photos (now faded). Our new executive director and I decided to make new printed panels with sepia-toned images very light in the background, and with type over the images. Everything was going well until I tried to screen the images to be really light.
If there are 50 ways to leave your lover, there must be 250 ways to take a color photo, turn it into a black-and-white in Photoshop, add a sepia tint, and screen it way back to a ghost image. I've tried them all. I spent days experimenting to get a result I liked...and the file was so huge it crashed my computer WITHOUT being saved. I have spent long, frustrating days getting back to that place while keeping the file size manageable. As of today, after trying about 50 more ways, I think I've got it. Which is good, because I am very ready to move on to other things.
There's a hitch, though. When I print a version on my ink-jet printer, I like the results. But how will it look when a commercial printer uses my files to create a panel 34 by 40 inches? I'm keeping my fingers crossed. If all goes well, I get to do this five more times for the other panels. Let's hope I can learn from my mistakes!
* In case you don't know, my husband and I founded a nonprofit organization in 1988, saved the old Minnesota State Fair Carousel from being auctioned to collectors, and have operated the carousel with volunteers ever since. A year ago we hired an executive director so we can cut back on our own volunteer involvement. Clearly, we haven't walked away just yet.
Labels:
carousel,
Photoshop,
volunteer projects
Sunday, September 27, 2015
30 years of adventure and teamwork
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| Our wedding, 9/27/85 |
I was 42 and not looking to get married when I met Peter at a business meeting. I thought I was happy and fulfilled. But he showed me what it could be like to be loved, and we were married less than six months after we met.
We've grown and changed a lot since then. We learned we could be a great team; our individual talents and perspectives complement one another and we can accomplish a lot when we decide to work for something we believe in. He's helped me take more risks and speak up; I've helped him be a little less the aggressive New-Yorker-in-a-china-shop. He is, by the way, a much more nurturing person than I know how to be.
When we were first discussing marriage, Peter said the secret of our happiness would be the small quiet moments--if we took time to appreciate them. At our ages, he said, we were unlikely to set off on new adventures. He was right about the moments, but wrong about adventure. We've undertaken three life-changing projects together.
![]() |
| Cafesjian's Carousel |
This year we have begun working to replace ourselves with new leaders, a transition that is not easy. The carousel has been a full-time preoccupation for 27 of our 30 years together, and it forged our relationship. Together, the team of "Peter-and-Nancy" has often been far bolder, more entrepreneurial, and more wildly successful than either of us could have been--or even imagined--alone. It's hard to let go of that role. On the other hand, we feel a responsibility to pass along what we know to those who will carry the work forward. Besides, we are tired and it's time to move on.
| Legos--a favorite family activity |
As we move forward, Peter and I need to find new ways to spend time together, to foster our relationship and to replace activities and identities that shaped our first 30 years together. For starters, we are planning a back porch where we can sit together on long Minnesota evenings and admire the garden, listen to music, maybe even listen to a baseball game. Our grandchildren and their parents are welcome to join us any time.
I am content. I have enjoyed being with this man who once promised to "throw a monkey wrench into your well ordered life." He certainly did, and the results were surprising, challenging, sometimes perplexing, often amazing. Now, at the 30-year mark, we are negotiating some transitions. I am pretty sure that we are up to the challenge, and that the outcome will be worth the work.
I love you, Peter Boehm. I love being loved by you, and I love the life we have created together. I hope we have lots more wonderful moments together, and maybe even some rewarding but slightly less taxing adventures!
P.S., The story of how we met begins here.
P.P.S., This is posted to
Labels:
anniversary,
carousel,
grandkids,
Saint Paul Saints,
teamwork,
transitions
Monday, September 29, 2014
A Carousel Odyssey, part 1
Eleven carousels in four days. I rode them, photographed them, discussed them, and in a few cases fell in love with them.
The occasion: the National Carousel Association convention, this year centered in New York City. Peter and I have been involved for 26 years with this group, which works to keep antique carousels operating. But this was my first convention, joining more than 200 carousel aficionados to visit selected antique carousels. The schedule is always packed, and long bus rides are inevitable. (Not a fan of bus rides, Peter stayed home.)
The most spectacular setting, by far, was Jane's Carousel in Brooklyn, virtually in the shadow of the Brooklyn Bridge. Riders enjoy spectacular views of the East River and Manhattan (see above and the header).
Jane Walentas, for whom the 1922 carousel is now named, is not the idle rich dowager I'd imagined her to be. An artist married to a real estate developer, she rescued the carousel at a 1984 auction in Youngstown, Ohio. Then she spent 26 years restoring it so her husband could make it the crown jewel of a revived Brooklyn area known as DUMBO--Down Under the Manhattan-Brooklyn Overpass. And it's beautiful. She has used subtle colors the original painter would have used--the same man who painted all the horses on the carousel we operate at Como Park. Jane's Carousel is a younger sister to ours, both built by the Philadelphia Toboggan Company.
Remember this media image from Hurricane Sandy? Jane's Carousel looked like a fragile gem about to be swept away. But its acrylic jewel-box building held, the carousel was undamaged, and its lights stayed on--a solitary beacon through the storm. I was excited to visit this carousel but I didn't know whether I was going to like its unusually modern home. In fact it's perfect. If you're ever in the neighborhood, be sure to stop by. And you can see more at Jane's Carousel website.
I'll be back in a few days with a couple of other very special carousels from this journey. I leave you with this shot, from Jane's site, of the overhead rounding boards. All the scenery paintings are original; Jane restored them by removing layers of old, darkened varnish.
Note: when this post first ran, it was accompanied by this photo, cropped and used as a header.
The occasion: the National Carousel Association convention, this year centered in New York City. Peter and I have been involved for 26 years with this group, which works to keep antique carousels operating. But this was my first convention, joining more than 200 carousel aficionados to visit selected antique carousels. The schedule is always packed, and long bus rides are inevitable. (Not a fan of bus rides, Peter stayed home.)
The most spectacular setting, by far, was Jane's Carousel in Brooklyn, virtually in the shadow of the Brooklyn Bridge. Riders enjoy spectacular views of the East River and Manhattan (see above and the header).
Jane Walentas, for whom the 1922 carousel is now named, is not the idle rich dowager I'd imagined her to be. An artist married to a real estate developer, she rescued the carousel at a 1984 auction in Youngstown, Ohio. Then she spent 26 years restoring it so her husband could make it the crown jewel of a revived Brooklyn area known as DUMBO--Down Under the Manhattan-Brooklyn Overpass. And it's beautiful. She has used subtle colors the original painter would have used--the same man who painted all the horses on the carousel we operate at Como Park. Jane's Carousel is a younger sister to ours, both built by the Philadelphia Toboggan Company.
Remember this media image from Hurricane Sandy? Jane's Carousel looked like a fragile gem about to be swept away. But its acrylic jewel-box building held, the carousel was undamaged, and its lights stayed on--a solitary beacon through the storm. I was excited to visit this carousel but I didn't know whether I was going to like its unusually modern home. In fact it's perfect. If you're ever in the neighborhood, be sure to stop by. And you can see more at Jane's Carousel website.
I'll be back in a few days with a couple of other very special carousels from this journey. I leave you with this shot, from Jane's site, of the overhead rounding boards. All the scenery paintings are original; Jane restored them by removing layers of old, darkened varnish.
Note: when this post first ran, it was accompanied by this photo, cropped and used as a header.
Saturday, December 21, 2013
Writing a book...and celebrating
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| Just two of our 68 horses |
By many measures, we should not have been able to succeed.But we did, and now, all these years later, I'm writing a book about the history of the carousel including our campaign to save it. I put off this project for years, but we want the book published before the carousel opens for its centennial season on May 1. So I won't be writing a lot of inspired blog posts in the near future, but I'm trying not to disappear entirely.
| for Thanksgiving. |
| Making pumpkin pie... |
| Having holiday tea... |
| and dancing The Nutcracker |
I relished all of this, knowing that the light was too dim to get good action shots but that the memories will live forever in the hearts of the lucky "audience." Whatever your holiday circumstances, I hope that you will rediscover some sweet memories from the past and make a few new ones to carry you forward.
Labels:
carousel,
kids cooking,
kids tea party,
kidstuff
Saturday, October 1, 2011
Ode to a friend
Our friend Herb had a soft, deep voice and a deadpan delivery
that made him seem perpetually glum.
When our efforts to rescue the historic State Fair Carousel
hit the media 23 years ago, he was among the first to call. We weren’t sure
what to make of him, but he became a hard-working volunteer and fiercely loyal
board member during some unexpected struggles. He also became a friend.
One hot July day in 1990, Herb introduced us to his twin
passions: eight or ten vintage Cadillacs and a roomful of jukeboxes. There was real
joy in his eyes as he powered up the music, and from then on we knew him as a
romantic at heart. We weren't too surprised when, four years ago, he married a second time, to a woman from his high school graduating class.
A year later Herb tripped and fell, and his leg
shattered. His doctor never questioned why the injury was so severe. When it
didn’t heal, Herb sought a second opinion and learned that he had sarcoma, a
devilishly aggressive cancer. With chemo and radiation he managed to live three
years, instead of the six months he’d been told to expect.
Yesterday Herb was buried. The parking lot was full of old
Caddies as his car-club friends said goodbye. His daughter played haunting
English horn and violin solos. A carousel pin graced his lapel. Herb was a
traveling salesman, a humble man, a sometime curmudgeon, a valued friend, and a
dedicated volunteer who found satisfaction in service to the carousel and his
automobile clubs. He will be missed.
My September began with melancholy thoughts of my late
parents, and in mid-month I was mindful of the loss of my brother five years
ago. As we attended services for Herb on the last day of the month, it dawned
on me that I’ve reached an age where funerals and loss are no longer rare. But
if Anyone is listening, I’ve had quite enough for now, thank you.
Sunday, August 14, 2011
The guy who taught me to fight City Hall
If they use these traits well, they can get a lot of things done. In the recent past, two such men became mayor of St. Paul, one was chosen as president of the University of Minnesota, two went to the Senate, and one saved a historic carousel whose horses were already removed and scheduled to be sold at auction.
| Peter and Augie at Cafesjian's Carousel, 4/2008 |
Eventually, the New York-born mayor at the time tried to wrest control of the carousel and place it downtown, where it would have died a lonely death. We fought City Hall, and we won. Among the things that made us effective were Peter's vision, determination, intense preparation, hard work, and, oh yes, being willing to offend a few people along the way. He told people the truth as he saw it and did not worry about being liked. When the mayor summoned us to a meeting, rolled out maps of a revitalized downtown, and waxed poetic about his vision (for which he intended the carousel as a centerpiece), Peter said, "Well, Mr. Mayor, not everyone shares your vision." There were gasps around the table.
As a Minnesotan raised to be a people-pleaser, I learned from Peter to speak up for myself and to take a few risks to accomplish something important. As I became braver and more confident, he smoothed his rough edges and added new strategies to that of confrontation. Collaborating on one cause or another, we get a kick out of how well we work together. We call it "Being Peter and Nancy."
| Augie learns to love stories 12/2007 |
Maybe all of that was practice for being a grandpa. He is a great one. It was his idea to provide daycare until the grandkids are in school. As with the carousel, I took my cue from him and now we are a great team. Peter and Nancy. Pa and Grandma.
In the summer, when the kids are not here every weekday, it's Pa that they ask to see. For example, just the other day ViMae was getting weepy at the breakfast table. "Mom," she said, "I miss your dad." (Yes, they've been working on figuring out extended relationships.) They called so Vi could talk with her grandpa, and then they came over for a play date.
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| Pa and ViMae swim together 8/2011 |
Today, August 14, 2011, he turns 63. Or, as he put it the other day, three times the age he wasn't supposed to see. It turns out he didn't have lymphoma at 19, although he did have it at 58. We were lucky; surgery took care of it. I'd like to say I hope we have at least another 21 years together, but we are a little superstitious about "watching what we wish for," so I won't say that.
Happy Birthday, Peter. I'm so glad I met and married you...glad we are Peter and Nancy, Pa and Grandma. I hope you and I have many more years together, and that we enjoy them all. It's because of you that I am a blissed-out grandma.
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